{"id":742,"date":"2012-05-27T15:46:12","date_gmt":"2012-05-27T15:46:12","guid":{"rendered":"http:\/\/www.quiliby.com\/all\/?p=742"},"modified":"2012-05-27T15:46:12","modified_gmt":"2012-05-27T15:46:12","slug":"haitian-dance-troupe-ayikodans-provide-intense-thrilling-performance","status":"publish","type":"post","link":"https:\/\/www.quiliby.com\/all\/haitian-dance-troupe-ayikodans-provide-intense-thrilling-performance.html","title":{"rendered":"Haitian dance troupe Ayikodans provide intense, thrilling performance."},"content":{"rendered":"<p><strong>The following dance review was written by Jordan Levin and published in the <em>Miami Herald<\/em>, April 26, 2012.<\/strong><\/p>\n<p>Physically ripped and emotionally expansive, the Haitian dance troupe Ayikodans returned to Miami and the Adrienne Arsht Center on Friday evening. The swell of emotion that surrounded the troupe\u2019s performance there a year ago, as community leaders gathered to support a company on the verge of collapse after the Haitian earthquake, has leveled off somewhat. And that made it easier to look at the troupe and its work.<\/p>\n<p>Choreographer\/director Jeanguy Saintus\u2019 nine dancers perform with a physical and emotional intensity that makes them seem always about to explode. Lean, narrow-framed and muscular to a degree exceptional even for the dance world, they\u2019re built like greyhounds \u2014 but with the ferocity of tigers. Add powerful live drumming, and Ayikodans has a terrifically intense \u2014 and at times overwhelming \u2014 impact.<\/p>\n<p>Saintus created <span class=\"italic\">Anmwey Ayiti Manman!<\/span> (Cry Haiti Mother) right after the 2010 earthquake, as he and the three dancers he was able to gather grappled with the terrible event. The mesmerizing Linda Isabelle Francois is a Haiti mother figure, but she\u2019s no maternal tower of strength \u2014 she\u2019s as tortured and uncertain as her trembling offspring, Johnnoirry St. Phillippe and Makenson Israel Blanchard. Barbed wire drapes the bare concrete wall at the back of the Carnival Studio Theater, and tops two walls covered with newspapers on each side (Haiti hemmed in by bad news), and the sounds of wind, ominous rumbles and singer James Germain\u2019s plaintive vocals add to the bleakness.<\/p>\n<p>This youtube video presents excerpts of &#8220;Anmwey Ayiti Manman&#8221;:<br \/>\n<div class='jwplayer' id='jwplayer-0'><\/div><script type='text\/javascript'>if(typeof(jQuery)==\"function\"){(function($){$.fn.fitVids=function(){}})(jQuery)};jwplayer('jwplayer-0').setup({\"file\":\"http:\/\/youtu.be\/ysDQaPHXGDA\"});\n<\/script><\/p>\n<p>The men scramble on the floor and clutch Francois\u2019 legs, cover their gaping mouths in a silent howl, hurl themselves at the walls and try to climb over. Francois stretches arms and legs in spasmodic pleading, then curls into a ball, unable to help herself or them. At the end she puts her neck into a noose hanging from the ceiling, then jerks it down, and hurls it to the ground in defiant, frustrated rage as the lights go out \u2014 a moment so unnerving and strange the audience didn\u2019t know how to react. <span class=\"italic\">Ayiti Manman<\/span> is so raw that it can seem like therapeutic more than artistic expression, an unmediated outpouring of emotion.<\/p>\n<p><span class=\"italic\">Danse de l\u2019araignee<\/span> (Dance of the Spider), a new work commissioned by Arsht Center, was passionate in a more physical and exhilarating way. Inspired by Gede Zarenyen, a Haitian vodou spirit, and by spiders themselves. Saintus doesn\u2019t shy from creepy-crawly imagery or movement \u2014 <span class=\"italic\">Danse de L\u2019Araignee<\/span> seethes with aggressive, coiling, unthinking energy, and even touches of cartoony horror. The nine dancers wear ghostly grey-black lip and eye makeup, and early on carry metal bowls on their heads, where reflected red lights look like buggy eyes. (Al Crawford, lighting designer for the Alvin Ailey American Dance Theater, donated his talent for dramatic lighting.)<\/p>\n<p><div class='jwplayer' id='jwplayer-1'><\/div><script type='text\/javascript'>if(typeof(jQuery)==\"function\"){(function($){$.fn.fitVids=function(){}})(jQuery)};jwplayer('jwplayer-1').setup({\"file\":\"http:\/\/youtu.be\/ji3aj5f2x30\"});\n<\/script><\/p>\n<p>But what mostly emerges from <span class=\"italic\">Araignee<\/span> is a surging collective power, driven by five drummers pounding out incendiary, rapid and complex rhythms, and Germain\u2019s soaring, moaning, raw gospel voice. The dancers, in Malou Cadet and Miko Guillaume\u2019s tight briefs or slinky black dresses, writhe and crawl and roll over each other, reaching hands clutched like claws, taut legs snaking up by their ears, eager to attack or merge. The women \u2014 Francois, Cassandra Woolley Dolce, and Sephora Germain \u2014 stalk and snake their torsos. Steven Vilsaint and Emmanuel Pierre hang from a suspended ladder, seeming to turn themselves inside out. The dancers explode in leaps and (in the case of the astonishing Vilsaint) flips in the air, then rocket to the floor. The dancers\u2019 intensity and force are spectacular, and Saintus brings them and <span class=\"italic\">Araignee<\/span> to a wild level of animal intensity and energy. It\u2019s thrilling \u2014 breathtaking even \u2014 but also exhausting, like a ritual that lifts you up even as it wrings you out.<\/p>\n<p>For original post: <a href=\"http:\/\/www.miamiherald.com\/2012\/05\/26\/2818858\/haitian-dance-troupe-ayikodans.html#storylink=cpy\">Haitian dance troupe Ayikodans provide intense, thrilling performance &#8211; Entertainment &#8211; MiamiHerald.com<\/a>.<\/p>\n<p>See also: <a href=\"http:\/\/repeatingislands.com\/2012\/05\/27\/haitian-dance-troupe-ayikodans-provide-intense-thrilling-performance\/\">Repeating Islands<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The following dance review was written by Jordan Levin and published in the Miami Herald, April 26, 2012. Physically ripped and emotionally expansive, the Haitian dance troupe Ayikodans returned to Miami and the Adrienne Arsht Center on Friday evening. The swell of emotion that surrounded the troupe\u2019s performance there a year ago, as community leaders [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[63],"tags":[108,271,72],"class_list":["post-742","post","type-post","status-publish","format-standard","hentry","category-dance","tag-afro-caribbean-dance","tag-ayikodans","tag-haiti"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4zx0X-bY","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts\/742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/comments?post=742"}],"version-history":[{"count":3,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts\/742\/revisions"}],"predecessor-version":[{"id":752,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts\/742\/revisions\/752"}],"wp:attachment":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/media?parent=742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/categories?post=742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/tags?post=742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}