{"id":1020,"date":"2013-02-10T15:42:14","date_gmt":"2013-02-10T15:42:14","guid":{"rendered":"http:\/\/www.quiliby.com\/all\/?p=1020"},"modified":"2013-02-10T15:42:14","modified_gmt":"2013-02-10T15:42:14","slug":"rituals-of-power-and-rebellion","status":"publish","type":"post","link":"https:\/\/www.quiliby.com\/all\/rituals-of-power-and-rebellion.html","title":{"rendered":"\u201cRituals of Power and Rebellion\u201d"},"content":{"rendered":"

The following article appears in Repeating Islands<\/em>, Feb. 10, 2013.<\/strong><\/p>\n

\"\"<\/p>\n

Hollis Liverpool just released his book, Rituals of Power and Rebellion: The Carnival Tradition in Trinidad and Tobago (1763 to 1962<\/em>), at the John S Donaldson, UTT?Port-of-Spain Campus, last Wednesday, as Michelle Loubon reports in this article for The Guardian.<\/strong><\/p>\n

Strumming his guitar, veteran calypsonian\/University of T&T professor Hollis Liverpool sang snatches of his comrade Slinger Francisco\u2019s classic Congo Man. The setting was a canefield. It was captured in black and white film during a presentation by retired Alaskan judge and honorary distinguished fellow Ray Funk at the launch of Liverpool\u2019s Rituals of Power and Rebellion The Carnival Tradition in Trinidad and Tobago (1763 to 1962). It took place at John S Donaldson, UTT Port-of-Spain Campus, Wrightson Road, Port-of-Spain, on Wednesday.<\/p>\n

A blurb in the UTT pamphlet said Liverpool had successfully managed to put into context the political, economic and cultural forces which inadvertently come together to create Carnival. It also noted that what appeared to be simply a musical bacchanal was in fact the struggle of the oppressed people to maintain their cultural identity in a land of foreign domination and class struggle. During the author\u2019s oral abstract, Liverpool lamented he had to go to Michigan, USA, to do his PhD, owing to the paucity of research material on Carnival locally.<\/p>\n

Asked about his magnum opus, Liverpool said, \u201cBesides historical sources I used oral sources. I depended on calypsonians, masmen, writers, masqueraders and boismen. The people whom I interviewed the majority have gone to the great beyond.\u201d Zeroing on the themes of Rituals and Rebellion, Liverpool added, \u201cTo a large extent many of the songs, events and masquerades in Carnival are rituals of rebellion. The kalinda and calypso are rituals. We show our resistance at Dimanche Gras. It is a ritual of rebellion. Even the steelband. The Chinese man who was beating pan to attract people to his church. It was the first time we saw pan being played. It is in the newspapers. J\u2019Ouvert represents the real African traditions of the Carnival. It is what Dr Kim Johnson (senior research fellow) called the African impulse. The soucouyant, La Diablesse and cow horns, bats and devils are in J\u2019Ouvert.\u201d<\/p>\n

Asked if he felt there was an improvement in the corpus of Carnival literature, Liverpool said, \u201cI don\u2019t know. But the book is going to be an addition to the archives. The book captures all the documentation and historical development of Carnival over time. \u201cIt is intended to impart knowledge on the complex nature of Carnival and the different people who have contributed to its development. To a large extent the Carnival defines our personality and our cultural identity.\u201d<\/p>\n

Tributes to Liverpool<\/p>\n

While preparing to vie for the C2k13 calypso monarch crown Liverpool heard superlatives about his scholarship. His songs were Prodigal Son and Virginia\u2019s Alzheimer. In the background, traditional mas characters like a moko jumbie and midnight robber milled around. Playing Midnight Robber was Damien Whiskey, a student in Liverpool\u2019s MA in Carnival Arts class. Liverpool had pioneered it. Apart from being an academic, Liverpool has clinched the coveted crown eight times with gems like The Bandit Factory and The Mailman. Programme administrator Lana Allard chaired the proceedings in which each speaker wished him a ninth victory.<\/p>\n

But the focus was on Liverpool\u2019s book. Among those paying tribute to him were Funk; deputy chairman board of governors Kwais Mutema; Dr Ajamu Nymoba; Dr Fazal Ali, provost and president (acting); senior research fellow Dr Kim Johnson; and Minister of Tertiary Education and Skills Training Fazal Karim. Johnson made the salient point that while everyone celebrated US president Barack Obama\u2019s victory in 2008, Trinidadians had written history by electing its first black Prime Minister, the late historian Dr Eric Williams in 1962. \u201cIt was the end of colonial T&T. Chalkie\u2019s book was about the elements and one crucial element was the voice of the people. The voice of the people was not heard,\u201d said Johnson.<\/p>\n

Mutema described Liverpool as a cultural icon and said we are fortunate to have him at the helm of the Academy of Arts, Letters, Culture and Public Affairs. \u201cWith a PhD in history and ethnomusicology and as the recipient of the prestigious Nicolas Guillen Life-Time Achievement Award for Philosophical Literature, Liverpool stands well qualified both academically as well as practically, to inform us all,\u201d said Mutema.<\/p>\n

Karim noted Liverpool\u2019s study of Carnival is a \u201ccontinuation of the work of academics who are now deceased like Tobago\u2019s Dr JD Elder and Prof Errol Hill, as well as those who are still with us, like Prof Gordon Rohlehr and Dr Jeff Henry.\u201d Apart from Karim, Liverpool made a special presentation to his friend\/chairman of committee US Virgin Islands (St Thomas) Kenneth Blake.<\/p>\n

For more info, contact UTT at 642-8888 or e-mail theacademy@utt.edu.tt<\/p>\n

For the original report go to chalkdust-launches-rituals-power-and-rebellion<\/a><\/p>\n

See also Calypsonian and WWI Professor Chalkdust launches \u201cRituals of Power and Rebellion\u201d Repeating Islands<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The following article appears in Repeating Islands, Feb. 10, 2013. Hollis Liverpool just released his book, Rituals of Power and Rebellion: The Carnival Tradition in Trinidad and Tobago (1763 to 1962), at the John S Donaldson, UTT?Port-of-Spain Campus, last Wednesday, as Michelle Loubon reports in this article for The Guardian. Strumming his guitar, veteran calypsonian\/University […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[83,211,1,188,226,5],"tags":[343,344,345,96],"class_list":["post-1020","post","type-post","status-publish","format-standard","hentry","category-calypso","category-culture","category-festivals","category-history","category-mask","category-music","tag-chalkdust","tag-hollis-liverpool","tag-rituals-of-power-and-rebellion","tag-west-indian-carnival"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4zx0X-gs","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts\/1020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/comments?post=1020"}],"version-history":[{"count":0,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/posts\/1020\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/media?parent=1020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/categories?post=1020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.quiliby.com\/all\/wp-json\/wp\/v2\/tags?post=1020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}